A very short post today, just to share my delight: just sold a mystery series to Mainly Murder Press — youpie! The protagonist, Trinity Pierce, is a college professor with a murky past, who lives and works in Cambridge, Massachusetts.
The first book will be out in early 2013.
I wrote the proposal for this series nearly ten years ago, which goes to show that perseverence can indeed win out in the end. Remember that, and you’ll be … beyond the elements of style!
Well, okay: it’s not exactly all in the title, is it? The rest of your nonfiction book or novel counts for something, doesn’t it?
Yes and no. That blog title caught your attention, didn’t it?
And while most writers bemoan the fact, it’s still true that many if not most readers will indeed judge a book by its cover … and its title.
I am miserably bad at finding titles for my own work. I was young and stubborn when my first novel came out and I insisted on my version of the title—years later, I learned that the publisher had been right, but it was a little late then. My best title ever, The Illusionist, was a suggestion given by a friend. So what this all means is that I think a lot about titles.
Terri Marie has this to say about finding the right title:
The title of your book is the billboard for the words and ideas you are giving to people. Those four to seven words or so are most critical of all the words you write.
A dear friend of mine, John Harricharan, author of best-selling, “When You can Walk on Water, Take the Boat,” explained to me that the real title comes from within you, like the book. I finally understood that I did not “try” to write the book. It wrote itself. So too, will the title come from within you. What John meant, is that you must love the title you choose. Be confident with it. With that confidence, the energy of the book can come through, almost like a light shining through the window.
In other words, it does not matter so much what the actual title is. What matters is the feeling you have when you read, see or say the title. That’s the key.
Wow. Just a little pressure there. I wish I could have that upwelling of feeling about a title, but it’s never happened yet.
Fortunately for most of us, she goes on to offer some very practical advice:
- Write down all possible titles. Anything and everything you can think of. You never know which phrase may catch and stick.
- Pay attention to how YOU feel when you tell others your title. Do you feel proud, tentative, scared, stupid? The feeling you want is like a proud mother or father of your new little baby. Give it the best name you can. It will be called that name the rest of its life.
- I also researched other titles on amazon. You don’t want a title that everyone has. It will get lost. You also don’t want a title so obscure or undescriptive that nothing will come up on a search.
- It needs to have intrigue and yet be clear. “Things Your Priest Doesn’t Want You To Know,” would be intriguing. So would “Things Your (fill in the blank) Doesn’t Want You To Know.” We humans like to know what others are doing, thinking feeling etc.
- Does your title help the reader to become a better person? We want to strive higher, yet it has to be an achievable goal without huge effort. If your title is “How to increase your IQ by 10 points, studying an extra 5 hours a day,” I’m not interested.
- Sum up your book in one sentence. Write as many as you can of these one liners. If you get just one chance to give a message from your book to others, what would you say? That’s often all you get. Use it wisely.
- When it all comes down to it, go with your gut.
Obviously a couple of these suggestions apply only to nonfiction books, but novelists can extrapolate what they say into the fiction realm.
Feeling better? I’m not. I currently have a novel in search of a title. While it’s true that the future publisher may change the title (and probably will), it’s still important to present something strong and compelling to the publisher. With this in mind, I narrowed my options down to two possibilities. I sent them out to my online writing community and asked for opinions, and they came back weighing in more or less equally for each of the two titles. Damn!
Over at Writing-World, John Floyd has some things to say about choosing the “right” title: it shouldn’t be dull, it should be easy to remember, it should be appropriate. Read his entire article for sources to jog your imagination.
And for a little fun, once you’ve got a title or two in mind, head over to Lulu’s title scorer to see how it might work for you!
In the meantime, I’m stuck with my title dilemma, none of my research having given me any definitive direction. I hope your quest goes better! And if you have any secrets, methods, or ideas about finding the right title, please share it here! Then you’ll be … beyond the elements of style!
Right. I’ve been receiving a lot of questions, lately, about literary agents, mostly from new writers eager to obtain one. And anytime there’s a situation in the marketplace where there is a demand for something, there will be scam artists eager to make a quick buck off that need.
So here’s the scoop on who you should pay, when, and why.
“Literary agents” (quotation marks deliberate) who ask for a fee for editing, or who recommend an editing service, are likely scam artists who have no interest in placing manuscripts with publishers. Run, do not walk, away from this sort of interest in your book. Yeah, it’s exciting to hear their enthusiasm. You’ll be a lot less enthusiastic once you’ve spent time with them.
Legitimate literary agents comply with ethical standards that prohibit them from charging authors a fee (beyond minimal office expenses for postage and copying——many do not even charge for those, and most charge only against advances received).
Agents make their money only on manuscripts sold. Agents pay money to authors; they do not collect money from authors. When your book is sold to a publishing house, your agent will collect an agreed-upon percentage of whatever it is that you make from the book. You should never write a check to your agent.
Now … on to editing.
Authors who are preparing manuscripts for submission to literary agents may wish to take full responsibility for the editing of their submissions. They often belong to peer-editing writing groups, writing workshops, critique groups, etc., and I strongly advise you, if you’re writing a book, to send it through this review process.
While a pass by a professional editor may be a worthwhile investment for the submission package of a few chapters, it is not absolutely necessary.
However, a self-publishing author is a publisher and, like all publishers, is responsible for having the book professionally edited before publication. This is when you write the check, folks. Editing (which may include both developmental editing and copyediting) is a normal part of the publishing process and is best done by skilled professionals, who do not work for free.
So … clearer? Let me know if you have any other questions. Recognizing the various roles in the publishing industry and moving efficiently through them is the best way to be seen as a professional; and it will put you … beyond the elements of style!
