Pen
The fascination of
words and writing
 

Where Can You Find Article Ideas?

It’s the end of the first month of the year, and while we’ve been bouyed up on the wave of resolutions, plans, and goals, we’re starting to realize that winter has dug in and there just aren’t that many exciting ideas left to write about.

But I’m here to tell you that you can find subject matter all around you, even in the dead and dark of winter when your enthusiasm is at its lowest ebb.

So sit down with a cup of coffee or tea and see if anything here inspires you! In no particular order, you can …

  • Find out what anthologies are looking for essay submissions. You don’t have to write the essay, just think about the suggested topics: they can inspire you!
  • Set up Google alerts for a whole bunch of subjects. Even if they’re just of peripheral interest to you, they can lead you to content that may end being inspirational.
  • Did you keep a journal in school? If so, re-read it now: those emotions were intense, and they’re timeless, too—there has to be a teen publication that would be interested in your take on them!
  • Read the newspaper, whether you do it in print or online. Clip and save articles that pique your interest. They may inspire you now … or down the road. (And if you write fiction as well, lots of great stories have been, as the saying goes, “ripped from the headlines.”)
  • Check out current nonfiction bestsellers, and search online for nonfiction that’s going to be published in the next year. Can you tie anything that you know about or can research into that book’s release?
  • Ask your Aunt Edna what’s on her mind these days. The baby-boomer generation, even in a recession, spends money on magazines, ezines, and the like: whatever is of interest to her is sure to be of interest to others, and she can even help you craft your pitch.
  • Think local! Is there a business that’s about to open in town? A celebrity appearing locally? An upcoming talk at the library? All of these can provide you with material.
  • Inthe same way, check out what other alumni from your college are up to, and consider writing about them for your alumni publication.
  • Do something different. Go for a walk. Take a class. Try a new hobby. Not only will you feel better and more energized, you’ll meet different people who may inspire you, network with you, or becoming sounding-boards for you. And the activity itself might provide a niche article somewhere!
  • The adage is, “write what you know.” Okay … but what about stuff you’d like to know about? Have you always wanted to go hang-gliding? Surfing? Find experts now in the off-season and interview them, learn about their sport or hobby …. your submission will be timely for the summer season!
  • History isn’t just my passion, it’s an evergreen topic, as long as you don’t just regurgitate the same old information. Writing for the tourist trade is fun and light-hearted and slipping bits of history into your writing can add context and depth.

So there you have it: some ideas to get you thinking about other ideas. Have any you’d care to share? Do it here, and then you’ll be … beyond the elements of style!

Finding Time for Writing

“I’d write a book if I only could find time to do it.” How many times have I heard that phrase! But the reality is that while time is not the only ingredient for getting writing done, it’s still an important one. My colleage, mystery author Stacy Verdick Case, has some thoughts about how writers can … find time to write!

***

Everyone’s life is busier every year. Work, family, friends, church, volunteer obligations—we’ve loaded our lives with so much stuff that writing is often neglected. Finishing three to four hundred pages in this chaos can seem impossible.

Yet the dream of holding your first book in your hands persists. You know you have to do whatever it takes to keep your dream alive.

Great!

This is written just for you, not for those who pay lip service to writing. Since none of those unsavory types are here right now, draw closer, I want to share some tips on finding a few extra minutes here and there for writing.

First, writing time isn’t found: it’s made, and you need to decide where you will make time. I don’t know your life, so I can’t tell you exactly where your writing time goes. You need to be honest with yourself about where you waste time during a day.

A friend lamented that she has very little time to write. Yet, almost every conversation we have includes the following questions: Did you watch such and such show? No. What about this show? No.

Don’t get me wrong I have my favorite shows, but DVRs and VCRs were invented so I don’t have to sit through twenty minutes of commercials. If you watch two one-hour long programs a week, you can recover forty minutes to write.

Are you a perpetual volunteer? I’ve done my share of time on boards and committees, but there comes a time when you have to say no. Volunteering is a monumental time vacuum. Practice saying this with me, “I’m sorry, but I can’t help this time.” Trust me, it gets easier each time you say those words.

Maybe neither of these is you. Like I said, I don’t have a crystal ball into your life. Think long and hard about the activities you participate in, and ask yourself, do I want this more than I want a career as a writer? Then scale back the activities you can’t live without, so you can fit a few more minutes of writing into your day.

At the very least, schedule a half an hour of your day to write. It shouldn’t be too hard I just saved you forty minutes, but if you’re not a TV watcher then, wake up a half an hour early, stay awake a half an hour later, or sit in your car at lunch, whatever it takes to get that half hour. Your family can live without you for thirty minutes. Shocking I know. I was mortified to find out my husband didn’t sit in stasis when I’m not around, waiting for me to come home and plugged him in again. So use that time for writing, the world will keep revolving even if you’re not supervising.

Stop telling yourself, “I can’t write because …” You CAN accomplish anything you want. When you say, I am going to do x-y-z, then x-y-z gets done. Make writing a daily activity like changing your underwear.

The only way to get to THE END is to sit down, begin, stay seated, and keep working. Writing is hard work. Writers who succeed make a commitment to their work. You can too.

Stacy Verdick Case carves her half-hour out every morning, and guards it like a lioness. She is the author of the Catherine O’Brien mystery series. The first book in the series A Grand Murder is available in paperback, ebook, and now audio from Before the Fall Books. Visit Stacy on her blog, for more information on her writing—and general musings.

Check out her book and blog, and you’ll be … beyond the elements of style!

Hyperink.com Question of the Month: What Makes a Compelling Character?

Warning: just my own thoughts—your mileage may vary!This was a question posed on HyperInk that I found interesting to think about …

Compelling characters are characters that play a lot of roles inside their own role. They’re entertaining and engaging, those two overused words that actually work in this case: compelling characters are people that we want to see more of, learn more about, see interacting with others, watch as they navigate the situations into which they’re plunged.

To be seriously compelling, however, characters have to go beyond mere entertainment. Compelling characters are characters that teach us something beyond the storyline in which they find themselves. They force us to look at something—themselves, the world, a given issue or situation—and learn something about it.

At their very best, they force us to learn something about ourselves. The lack of limits Lisbeth Salander (The Girl with the Dragon Tattoo) acknowledges may make me envy her … but she reminds me in the process of the fact that my own limits are pretty firmly entrenched. Almost every character in Steinbeck’s novels is a fundamentally lonely person … and as I read about them I’m reminded of my own extremely high loneliness threshold, my desire for solitude, even as I sympathize with their need for conenction.

Phil Rickman writes novels in which the characters move fluidly from one story to another, to the point where they become very real to the reader. I’ve caught myself wondering how Moira Cairns would respond to something that happens in my own life and have to remind myself that she really only exists on the pages of his books. The recent popularity of Downton Abbey indicates that compelling characters don’t know historic or cultural boundaries, as continents of people find themselves enthralled by the joys and problems encountered by Lord and Lady Grantham, by Mr. Bates and Anna.

And how can they not hold a mirror up to us, even as we watch them live out their stories? Just as Nietzche said about the abyss, we look into the characters … and they look into us. Compelling characters create a connection between who they are and who we are, so that in a sense we can feel what they feel, imagine being them, maybe bring a slightly different sort of insight back with us into our own lives and dramas.

So … what do you think? What creates a compelling character? I’d love to hear it. And then you’ll be … beyond the elements of style!